Semiotics of Music by the Band Pyong-Pyong as a Tool for Social Criticism: an Analysis of the Symbolism in the Lyrics of the Album "Pigza"

  • Nareswara Bima Pradipta Art Education, Semarang State University, Indonesia
  • Muhammad Jazuli Art Education, Semarang State University, Indonesia
  • Syahrul Syah Sinaga Art Education, Semarang State University, Indonesia
Keywords: Pigza, pyong-pyong, semiotics, social critiscm

Abstract

Music serves not only as an artistic expression but also as a medium to convey important social and political messages. For example, the punk band Pyong-Pyong from Semarang City uses music to critique social conditions. Over the span of two decades, the band has undergone transformations in its members and musical style, with their latest album, "Pigza," showcasing their evolution in the music industry. This research analyzes the symbolism in the lyrics of the songs from "Pigza" used for social critique. Using a qualitative approach and Roland Barthes' semiotic analysis method, this study explores the symbolism in the lyrics of "Pigza" songs. Findings indicate that four songs in the album — "Jika," "Mereka," "Kurang Piknik," and “Kita Ingin Damai” — articulate deep messages about social conditions and individual experiences in modern society.

Author Biographies

Nareswara Bima Pradipta, Art Education, Semarang State University, Indonesia

Art Education

Muhammad Jazuli, Art Education, Semarang State University, Indonesia

Art Education

Syahrul Syah Sinaga, Art Education, Semarang State University, Indonesia

Art Education

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Published
2023-11-27
How to Cite
Pradipta, N. B., Jazuli, M., & Sinaga, S. S. (2023). Semiotics of Music by the Band Pyong-Pyong as a Tool for Social Criticism: an Analysis of the Symbolism in the Lyrics of the Album "Pigza". Journal La Sociale, 4(5), 402-412. https://doi.org/10.37899/journal-la-sociale.v4i5.1455